Food has always struck me as a kind of universal language
Not just something we eat, but a way of crossing borders and connecting with people who might otherwise remain strangers. Wherever you go, food has this remarkable power to bring people together.
My own story began in kitchens very early – I was fifteen when I first put on an apron and thought professional cooking would be my only path. But in 2012, after years of working as a chef, I decided to take what I thought would be just a short break. Instead, that pause changed everything. It carried me away from the stove and into writing Culinary Art of Living. At first, it felt accidental. But in hindsight, maybe it wasn't. My family has been in publishing for nearly three decades, so perhaps it was only natural I'd eventually follow a similar path.
I'm Lukas, originally from Prague, where I'm based now. But I also consider myself Australian – a country where I spent ten years of my life and have come to think of as home. Looking back at the years between 2012 and 2017, I ended up publishing twelve editions of Culinary Art of Living, all written in Czech, which sometimes feels both like a lot and not nearly enough. Each issue brought me face to face with chefs and restaurants I never would have encountered if I'd stayed only in the kitchen. Now, with our thirteenth edition, we're publishing in English for the very first time. It feels both like a step forward and a chance to look back.
This issue pays tribute to Spanish gastronomy. Not because I believe it can be neatly contained in a single edition – it can't – but because it deserves to be celebrated. It also gives a glimpse into the kitchens, stories, and people who have shaped this magazine from the very beginning.
I should say: I've never really thought of myself as a journalist
When I first started writing, it was through a chef's eyes. Over time, though, my perspective began to shift – less cook, more diner, sometimes even a demanding one. And the magazine changed along with me. It slowly became less about the technical side of the kitchen and more about the whole journey of food: where it comes from, who produces it, and how it transforms in the hands of remarkable chefs.
Ultimately, the magazine is about sharing experiences that readers might not otherwise have
I've always wanted Culinary Art of Living to feel different – not a glossy catalogue of staged dishes, but a window into the living world of food. The chefs. The growers. The producers working behind the scenes, whose efforts make everything possible. Every great chef will tell you they're nothing without good ingredients. In this edition, we highlight Swiss producers who remind us of that truth every day.
Ultimately, the magazine is about sharing experiences that readers might not otherwise have – taking you into kitchens, farms, and dining rooms you may never visit in person. If it sparks your curiosity, if it encourages you to travel or simply look at what's on your own plate with fresh eyes, then it's done its job.
Because food, at its best, really is an art form. Not in the heavy, overly serious sense, but in the way a concert or painting is – expressive, playful, sometimes imperfect, always human. And while a meal can feel like a grand performance, it should never lose its sense of fun. That's the spirit I hope you'll find in these pages.
Talking with Albert Adrià at Tickets
An unforgettable afternoon spent with the legendary Ferran Adrià
Ferran Adrià at elBullifoundation
At Mugaritz: a conversation with Andoni Luis Aduriz
Spending time with the Roca brothers, pioneers of modern gastronomy
Behind the scenes at a photoshoot in El Celler de Can Roca
Behind the scenes at a photoshoot in Aqua with German chef Sven Elverfeld
Interview with German chef Thomas Bühner at La Vie
At a Swiss photoshoot, working on dishes alongside wild game supplier Kevin Windsor
